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American culture. During these early days, examples of institutional resistance and brutality here at home abounded: the vicious 1983 murder of graffiti artist Michael Stewart by New York City Transit Police, part of the city's broader "war on graffiti"; the relentless threats and harassment from law enforcement in response to NWA's 1988 track "Fuck tha Police" and the anti-police songs that followed; and the arrests throughout the late 1980s and early 1990s of LL Cool J, Too Short, 2 Live Crew and others for obscenity when they would take the stage in cities across the U.S. In these early cases and others, American artists,[link widoczny dla zalogowanych], like the Arab world rappers of today, challenged the status quo and pushed the boundaries of art in a society unaccustomed to such brash and unapologetic musical resistance. The response was often to try and tamp down their efforts with law enforcement. More recent revelations that police departments across the country have dedicated hip-hop task forces that monitor and